The Comm Guild Maelstrom's Edge

- by Iain Wilson

Not everyone has the time to spend paintstakingly blending, shading and detailing their models. Sometimes, you just want to get them on the table quickly, so I thought it might be useful to explore some options for fast and painless army painting.

My guinea pigs for this article are some Epirian Suppression Team models, painted exclusively with washes! This is a really easy technique to get to grips with, and while it won't get you an award-winning work of art, it does give you perfectly serviceable-looking models that look great on the table.




For those unfamiliar with them, washes are thin paints designed to sink into the model's crevices whilst leaving less colour on the raised detail (Also sometimes called 'inks' - Not to be confused with 'glazes' which are translucent paints that tint the surface they're painted onto evenly). So while it's a little less precise than blended highlighting or 'juicing' (applying super-thin coats of increasingly dark colour to build up shadow or colour transition), we can use washes over a pale base colour to highlight and shade a model all in one fell swoop. There are a wide range of different washes or inks available, but for this article I'm using Army Painter Quickshades.

I start by giving the model a base coat of white.



Now I'm going to start applying washes to build up the colours I want, leaving the model to fully dry between each. On this model, I've started with a coat of Soft Tone over everything except for the weapons. This is pale enough that other colours will go ok over the top - if you're using darker tones, it's best to try to keep them strictly on the areas where you want them, otherwise you'll need to touch up your basecoat to cover up the overspill before painting each part of the model. Apply a generous coat of wash and leave it to thoroughly dry before moving on to the next step.



Next, I've gone over the armour and chaps with Green Tone, and picked out the boots, belt, kneepads and weapons with Dark Tone. If the colour is lighter than you would like, you can let it dry and then add another coat, as I did with the Dark Tone - this isn't a particularly strong wash, so several coats were needed to get the weapons as dark as I wanted them. You can speed this process up by painting parts that you want to be really 'black' with a medium grey colour before using the wash, but for this article I just stuck with the wash by itself.



I left the tip and front facing of the Shock Baton free of the black wash, as once the black wash dried I applied a coat of Blue Tone to those, which gives a nice energy-glow effect over the white. I also went over the exposed skin areas with Flesh Tone. At this point, I also stuck some sand to the base with PVA glue, washing it with a coat of Strong Tone once the glue dried. Then, to finish up, a quick coat of black around the base edge - you could skip this step by masking off the base edge with tape before painting and then just peeling the tape off at the end.



You can vary the look of the washes by using different base coats. The model below was painted using the exact same process as above, but over a bone basecoat instead of the white.



If you prefer a little more detail, you can go over the washed model with regular paint, picking out features like eyes, belt buckles and the like, and of course you can use different wash colours to suit your preferred colour scheme.





Why not give it a go? As always, feel free to share efforts, or ask any Maelstrom's Edge- or hobby-related questions on the Comm Guild Facebook page!

You can pick up the Epirian Suppression Team, along with the rest of the Maelstrom's Edge model range from the webstore here.

For other Maelstrom's Edge modeling articles, including tutorials and walkthroughs of a wide range of different building and miniature projects, check out the Hobby section of the Maelstrom's Edge website here.

- by Iain Wilson

It probably won't surprise anyone who has been following my articles for any length of time that I spend a lot of time looking at sprues and figuring out different ways to fit parts together in new and interesting ways. This week, the power generators on Terrain Sprue #2 caught my eye, and I decided it was time to get away from it all, with a compact escape pod!




The main hull of the pod was built from two generators, and two reinforcing struts split into two and three segment pieces.



I glued the longer strut pieces, detail-side in, along the long edges of the back of the generator, and then trimmed the short pieces to fit neatly along the short edges, before fitting the second generator onto the other side.



For the jet nozzle on the rear of the pod, I used two large pipe fittings from Terrain Sprue #1, glued back-to-back. The inside piece needed some slight trimming on the flat edges to fit neatly between the protruding ends of the struts.



The viewport on the front of the pod was built from more parts from Terrain Sprue #2: a light, a round window and the base of the weapon mount with the sliderail trimmed down.



As a final step, I added some extra detail over the flat strut backs, using the energy fence posts from Terrain Sprue #1 with the bases cut off. For the bottom of the pod, I clipped off the energy projectors and sanded the post face down flat, gluing it with the back of the of the post facing out. On the top, I wanted a couple of clamps to hang the pod with, so I cut the top and bottom energy projector segments off the post, and then just trimmed, sanded and flipped the middle section.



That just left painting. I used a basecoat of Army Painter Necrotic Flesh, and then a wash of Citadel Iyanden Yellow Contrast, followed with a sponge of Vallejo Heavy Charcoal to weather it. For the metal sections, I used Citadel Boltgun Metal with a wash of Army Painter Strong Tone, followed by a light drybrush of Army Painter Shining Silver, and AK Interactive Pure Black over the jet exhaust. The viewport was painted with a mix of Army Painter Matt White, Ice Storm and Ultramarine Blue, and the lights on the rear panels with white, Army Painter Pure Red and AK Pure Black.













To build your own escape pod, you can pick up the terrain sprues, along with the rest of the Maelstrom's Edge model range from the webstore here.

What are you working on? We would love to see what your models and terrain in the Comm Guild Facebook group!



For other Maelstrom's Edge modeling articles, including tutorials and walkthroughs of a wide range of different building and miniature projects, check out the Hobby section of the Maelstrom's Edge website here.

- by Iain Wilson

Time to build something!

For this week's article, I decided to have a go at a project that I've had percolating in the back of my brain for a while now. I bought some Colorshift paints from Green Stuff World some time ago, because they looked to pretty to not try them out on something, and I thought that they would be just perfect for conveying the otherworldly nature of the Karist Angel. So, I dug out an Angel that I had built way back when the Battle for Zycanthus box was first released and got some paint on it, with this result:




So, the first thing to mention here is that the Colorshift paint gives a really neat, subtle colour effect that is frustratingly difficult to photograph! There's a video at the end of this article that shows the transition effect a bit better than the pics fo, although the purple still looks more subdued than it does in the 'flesh'.

Back to the model! The Angel that I used here was built from the regular plastic kit, with some reposing of the legs and a second claw added on the left, just because I thought it would look cool.



As per the directions for the Colorshift paint, I started out with a coat of gloss black. I don't have an aurbrush, so this was just from a spraycan.



Once the black was dry, I started painting light layers of 'Evil Forest', taking care to leave the forehead so that it would stay a nice, shiny black. Evil Forest is shown on the bottle as a red to green transition, but the red actually comes out a deep purple over the black, which is exactly what I was looking for. I painted it on in light coats using a large, flat brush and brushing downwards to leave the black in the crevasses - traditional highlighting and shading tends to kill the shifting effect, so I was trying for whatever shading I could get.



Once I had built up sufficient colour with the Evil Forest, I added some highlights on raised edges and surfaces using 'Emerald Getaway'. This is a pale greeny-blue to blue shift, so over the Evil Forest it helped to accentuate the green shift a little, although that really doesn't show well in these pics.



To finish up, I painted the base, and painted in the eyes and mouth using some old Citadel Liche Purple, Tentacle Pink and white.











And the aforementioned video rotation:





You can pick up the plastic Mature Angel, along with the rest of the Maelstrom's Edge model range from the webstore here.

What are you working on? We would love to see what your models and terrain in the Comm Guild Facebook group!



For other Maelstrom's Edge modeling articles, including tutorials and walkthroughs of a wide range of different building and miniature projects, check out the Hobby section of the Maelstrom's Edge website here.

- by Iain Wilson

Time to build something!

This week, I had a tinker with the Mule, from Mantic's Warpath game. I love the styling of this vehicle, and thought it would fit nicely into an Epirian force for Maelstrom's Edge with just a few minor tweaks. This was the end result:




The front end of the Mule is rather evocative of the torso of the Epirian Hunter Mech. This inspired me to turn the mule in to a bot-driven vehicle, rather than just another standard transport vehicle. My thinking is that this would be a general purpose vehicle, under the control of a bot handler, which could be used a cargo or troop transport, routine patrols or crowd control tasks.

To carry across the visual link to the Hunter, I took a Hunter torso and cut away the head piece from the top. On the Mule cab, I trimmed the hatch off the roof, and glued the Hunter head in place on the front of the roof.



The Mule comes with two different weapons, that slot into a socket on the back edge of the roof. I took one of these, sliced it off just in front of the mount, and attached a clingfire sprayer from the Epirian Scarecrow kit.



To give some potential variety, I took the second weapon, cut off the barrel and glued on the barrel from the Hunter's chaingun. The rest of the Mule was assembled as normal. I considered filling in or covering the windows and windscreen, but they're actually not super-well defined in the rather soft plastic used for this kit, so I figured with everything painted up they would just look like recessed detail panels.



Well, almost as normal. Just before painting, I decided to also add some cluster missiles. These were taken from the Hunter kit as well, with the mounting pegs cut off, and glued directly to the sides of the cab.



The assembled vehicle before painting:



To paint, I used the weathered metal process from my tutorial here.



And with final details in place, the Epirian 'Aurochs' automated transport vehicle is ready to go!













You can pick up the various Epirian robots, along with the rest of the Maelstrom's Edge model range from the webstore here.

What are you working on? We would love to see what your models and terrain in the Comm Guild Facebook group!



For other Maelstrom's Edge modeling articles, including tutorials and walkthroughs of a wide range of different building and miniature projects, check out the Hobby section of the Maelstrom's Edge website here.

- by Iain Wilson

To the new painter, eye lenses, targeting sensors and other shiny 'glass' details on models can seem a little daunting, but it's actually really easy to paint them up to provide a nice focal point on your models. Below, I'll run through five different techniques for painting lenses!




#1: We let an ink do most of the work, here! For all of these techniques, I'm using red. You can easily just subsitute whatever colours you want to paint your lenses to suit your colour scheme.

1. Paint the lens with a nice, bright red.
2. Add a small dot of pink in the middle of the lens.
3. Paint a coat of red ink over the whole lens - I've used Army Painter Red Tone here.

#2: This one's very similar, but lets you create a glass effect on the surface of the lens. This works best for inset lenses. If you seal your models with a matte spray, do that before painting the lenses in this case.

1. Paint the lens with a nice, bright red.
2. Add a small dot of white in the middle of the lens.
3. Dab a small dot of superglue on top to fill the lens cavity. The easiest way to do this is to squeeze out some glue onto a tile or pallet and use a pin to transfer the right amount. It can take a little practice to get just as much as you need. If you get too much and it slops over the sides, you can use a tissue to soak up the excess glue before it dries.

#3: Similar to the first technique, but letting metallic paint provide the contrast for us.

1. Paint the lens with silver.
2. Paint a coat of red ink over the whole lens - I've used Army Painter Red Tone here.
3. This is the same thing, but using Citadel Blood Angels Red Contrast instead of Red Tone. This gives a brighter red, but the silver doesn't show through as much.

#4: Getting more precise with the shading.

1. Paint the lens with pink.
2. Using a fine detail brush, add a small amount of red ink to the upper right or left of the lens - Once again, I've used Army Painter Red Tone here. Leave it sitting upside down to dry, if possible, so the ink stays at the top of the lens.
3. Add a small dot of white in the middle of the ink-darkened area. If the transition from pink to red is a little harsh, you can use a little more pink on a detail brush to gently blend over the line.

#5: The more traditional approach.

1. Paint the lens with red.
2. Using a fine detail brush, paint a small crescent of pink onto the bottom left or right of the lens, and a similar crescent of black or dark red into the opposite upper of the lens.
3. Add a small dot of white in the middle of the dark area. As with the previous technique, if the transitions between colours are a little jarring, you can use a little more red to gently blend them together

And there you have it - five different ways to paint your lenses. Fee free to experiment with these to find the way that works for you. By using different colours, you can adapt these to whatever models you are painting!





Got Robot? We would love to see what you are working on in the Comm Guild Facebook group!



You can pick up the various Epirian robots, along with the rest of the Maelstrom's Edge model range from the webstore here.

For other Maelstrom's Edge modeling articles, including tutorials and walkthroughs of a wide range of different building and miniature projects, check out the Hobby section of the Maelstrom's Edge website here.

- by Iain Wilson

Over the past several years, I've been producing a hobby article each week, covering a whole host of different terrain, modeling, painting and collecting topics on the blog here. I've written up totorials for different painting and modeling techniques, I've constructed buildings out of odd things found at the hardware store, and I've spent a lot of time cutting up models and bunging them back together again in new and (hopefully!) interesting ways.So if you're on the lookout for hobby content to while away your time stuck at home, be sure to take a look at the Hobby section of the Maelstrom's Edge website, where you can find handy links to all of these articles!




Because there are so many of them, we've broken the articles down into a few different sections. The Terrain Building Articles section includes all of the terrain specific material, and can be filtered down into a few different categories. This section includes a host of different ideas and tutorials for using the Maelstrom's Edge terrain sprues and various found or bought materials to make fantastic and distinctive terrain for your tables.



The Tips & Techniques section is where you can find general modeling and painting articles, including different basing ideas and handy tutorials for techniques like salt weathering and painting with washes.



Finally, the Modeling Articles section focuses on the Maelstrom's Edge model range, including assembly and conversions for existing units, ideas for converting new units and spotlights on battle-ready Maelstrom's Edge forces.



Do you have hobby projects you're currently working on? We would love to see them on the Comm Guild Facebook page!



You can pick up the Maelstrom's Edge model and terrain sprue range from the webstore here.

- by Iain Wilson

Marsayan Hypnotists stand out amongst the forces of the Broken, with their gangly limbs and tentacled face. For this week's model, I decided to accentuate the alien-ness of the Marsayan a little more by adding a hazardous environment helmet from Bombshell Miniatures' Counterblast range. This model was actually put together a while back for a Spotlight article on the Marsayan, but this week I decided the time had come to get some paint on it!




There was a little conversion work involved in getting the helmet onto the model. I repositioned the arms and head, and shaved down the tops of the shoulders to provide a reasonably close fit for the bottom of the helmet ring.



I started out the painting by spraying the model with Army Painter Necrotic Flesh.



Over the clothing, I painted a layer of Citadel Gryph-Hound Orange Contrast. I also painted the wrappings and straps with Army Painter Mid Brown ink, and the fur and helmet ring with Army Painter Dark Tone.



For the skin, I added a layer of Army Painter Blue Tone over the Necrotic Flesh. I also painted the armour pads and eyes with Citadel Liche Purple, the helmet ring with Army Painter Ash Grey, and the fur and air tubes with Vallejo Heavy Charcoal.



I added a highlight to the orange with some Vallejo Light Orange mixed with white. I used some more white to highlight the helmet ring and bindings, and to apply a very light drybrush to the tubes and fur. Using some Army Painter Warlock Purple and white, I painted in the mouth tentacles and added a highlight to the purple armour sections. For the metal device on his hip and the cannister on his back, I painted on a coat of P3 Pig Iron, and then a wash of Dark Tone. Finally, I used some black and white to add shading and highlights to the eyes.



To finish up, I painted the base using the same urban scheme as the rest of my Broken force, and then glued the helmet in place.





What have you done with your Broken? We would love to see them on the Comm Guild Facebook page!



You can pick up the Marsayan Hypnotist, along with the rest of the Maelstrom's Edge model range from the webstore here.

For other Maelstrom's Edge modeling articles, including tutorials and walkthroughs of a wide range of different building and miniature projects, check out the Hobby section of the Maelstrom's Edge website here.

- by Iain Wilson

Some time ago, I put together a biker conversion for a Bot Handler Spotlight article, which has been sitting in the cabinet ever since, staring at me accusingly when I walk past. Unable to take the abuse any longer, I decided the time had come to get some paint on him, and this was the result:




The model was put together from an Epirian Bot Handler, the chassis from an Epirian Drone, and most of a Citadel Space Marine bike from Warhammer 40000. I carved out the inside of the handler's legs and bent them outwards to fit around the bike seat.



To paint, I started out with a basecoat of Army Painter Wolf Grey spray.



I then blocked in the main colours - P3 Pig Iron for the metal parts, Vallejo Stormy Blue for the bike panels and Handler's uniform, and Vallejo Heavy Charcoal for everything else.



Next, I painted a generous layer of Army Painter Dark Tone over the top of everything, and put it aside to dry.



For final detailing, I highlighted the blue using a mix of Army Painter Ultramarine Blue and white. Over the black, I added a highlight of Vallejo Light Grey, and Army Painter Shining Silver finished off the metal parts. To brighten things up a little, I added some gold using Coat D'Arms Bright Gold washed with Army Painter Medium Brown. For the face, I painted on a coat of Army Painter Barbarian Flesh with some more MEdium Brown, and finally added the red parts with Army Painter Pure Red, shaded with black and highlighted with white.









And that's one biker bot handler, ready to cruise the backroads of the Edge!



You can pick up the Epirian Bot Handler, along with the rest of the Maelstrom's Edge model range from the webstore here.

As always, feel free to share your models and terrain, or ask any Maelstrom's Edge- or hobby-related questions on the Comm Guild Facebook page!

For other Maelstrom's Edge modeling articles, including tutorials and walkthroughs of a wide range of different building and miniature projects, check out the Hobby section of the Maelstrom's Edge website here.

- by Iain Wilson

This week, I'm taking a break from terrain and having a closer look at the fantastic resin kit for the Nimbus battlesuit for the Artarian Remnant!




A smaller suit than the more common Militus, the Nimbus comes in a few less pieces as a result of being resin rather than plastic. The kit includes options for both the Longshot's sniper rifle, and the Pathfinder's Incursion Blaster and pinpoint scanner, as well as the thermal tracker and hologram projector for the shoulders and a cloak generator backpack.



While there is only a single head includedin the kit, the neck joint is the same size as on the Militus. This allows you to use plastic heads in place of the regular Nimbus head.



While they may not fit as neatly without some tweaking, you can also borrow heads from other factions for a bare head option. The model below has the head from a Karist heavy weapon trooper kit.



For faster-moving Nimbus variants, you can use a boostpack from the Militus kit. If you're building a boostpacking Pathfinder, be sure to glue the boostpack in place before the weapon arm, as the back of the blaster overlaps the bottom of the boostpack.



Alternatively, you can make a removable boostpack by trimming off the triangular pieces on the bottom, and then sitting it in place with a little bluetack.



Including multiple shoulder pads would have made the kit a little too fiddly, so the pads were sculpted with the venting systems in place. If you're using any other shoulder mounted equipment, it just glues over the top of the vents, but if you not, and if you don't want the vents either, they can be easily covered over with a little putty. Just push the putty in place in the vent and smooth it down flush with the flat of a knife. If necessary, let it set and then give it a little sand to finish flattening it out.



The arms mount at the shoulders with square locator pegs. These are there to make it easier to get the sniper rifle arms to fit together. You can reposition the arms by just slicing off the peg, so that the inside of the shoulder is flat, and then gluing it on however suits you.



For some more extreme repositioning, resin is easy to cut through with a sharp knife or razor saw, and then reattach with superglue.



What have you done with your Remnant suits? We would love to see them on the Comm Guild Facebook page!







You can pick up the Nimbus suit, along with the rest of the Maelstrom's Edge model range from the webstore here.

For other Maelstrom's Edge modeling articles, including tutorials and walkthroughs of a wide range of different building and miniature projects, check out the Hobby section of the Maelstrom's Edge website here.

- by Iain Wilson

I recently picked up the fantastic Xenos Jungle terrain mat from Deep Cut Studio, as I really loved the unusual colouring. It shows an alien world covered in rocks, sinister looking ground mist or liquid, some yellowy-green plants, and large, shiny outcrops of purple crystals, and I was instantly in love when I saw it. The only problem with it was that I didn't have any suitable terrain to go with it, so I set out this week to rectify that problem, creating some crystal-encrusted rocky outcrops!




There are a large range of different ways to make crystals, or facsimiles thereof, for the table, but I decided to go the easiest route and just use something that already looked the part. After scouring the internet for a while, I found some acrylic 'ice crystals' on Amazon that looked like they would fit the bill. I wound up buying three packets from three different sellers, due to some unexpected one-per-customer rules on them, which netted me three packets of purple crystals that, while identical in shape, were all slightly different shades of purple. As this just winds up with a more natural overall effect, I couldn't have planned it better if I had tried!

As the crystals were all the same size, I glued some together using an all-plastics glue, and took some others and belted them with a hammer to break them down into smaller pieces (Wear eye protection if you want to try this!)



For the bulk of the outcrops, I decided to use expanded polystyrene, as it's quick and easy to cut to shape. I used an old kitchen knife to roughly cut the polystyrene to the shape I wanted, and then used small spots of PVA glue to glue it down to a piece of 3mm foamed PVC to give it a solid base. Using small amounts of PVA rather than covering the whole piece helps to avoid the base warping when the glue druies.



To cover the polystyrene, the common choice would be filling plaster. I'm not a fan of this, hoever, as it chips easily, so I decided to try something experimental. I ran a bunch of old cardboard boxes through a cross-cut paper shredder, to make a nice pile of tiny cardboard pieces.



I soaked the cardboard in water overnight in the hope of softening it up a bit, and then drained and squeezed out as much water as I could, before mixing it into a slurry with PVA glue, some cheap, black, acrylic paint and a little plaster to bind it all together. Then, I slopped the resultant mess over the polystyrene, smoothing it down as much as possible.



While the cardboard mess was wet, I took crystals and applied clear craft glue to the bottoms. These were then pushed them into the wet surface, so that they would be partially submerged. I then left it overnight for everything to set.



The cardboard slurry dried with a fairly obvious, rectangular texture, which was going to look a bit odd for a natural outcrop, so I painted over the whole thing with a generous layer of PVA glue and sprinkled a coarse sand mixture over it, leaving this to set.



After shaking off the excess sand the next day, I gave the rock surface a coat of black paint.



My intention was to drybrush it grey, to try to match the rock on the mat, but my test piece wound up far too dark and grey looking, so I wound up going back over it with a rough coat of a sandy brown craft paint.



Over this, I applied a generous layer of Army Painter Strong Tone.



When the wash had dried, I set to work with some Coat D'Arms Bone and Bilious Green, and some Vallejo Light Grey, drybrushing all over the rock. The colours don't show up well in the pic here, but the aim was to replicate somewhat the different tones found on the different areas of the mat, so that the terrain wouldn't look out of place wherever it was positioned. I finished up with a final highlight of white to tie everything together, and then added a purple blush around the crystals. This was again matching the style of the mat, and also hopefully adding some more colour under the small crystal pieces I was intending to add at the end.



Finally, I dabbed some more PVA glue around the crystal outcrops and sprinkled on some of the small crystal gravel that resulted from my earlier hammering efforts. I also added some statuic grass and some plants cut from plastic home-decorating sheets to break up some of the boring rock bits.



With a few bits together on the mat, it wound up looking like this:



It's not a perfect match for the terrain on the mat, but it's close enough to work! The next step will be to finish off the rest of the outcrops and a building that I have in progress (as soon as I finish panic-buying some more Strong Tone!), and then work up some sort of 'forest' bases to flesh out a full table.



Stay tuned for more!



In the meantime, you can pick up the Maelstrom's Edge terrain sprues, along with the rest of the Maelstrom's Edge range, from the webstore here.

As always, feel free to share your models and terrain, or ask any Maelstrom's Edge- or hobby-related questions on the Comm Guild Facebook page!

For other Maelstrom's Edge modeling articles, including tutorials and walkthroughs of a wide range of different building and miniature projects, check out the Hobby section of the Maelstrom's Edge website here.

- by Iain Wilson

While painted sand is quick and easy for finishing off your miniature bases, sometimes it's nice to go with something a little more unusual to set your force apart. This week, I'm sharing a handy tutorial for creating super-simple marble bases, with no painting required!




The marble texture comes from adhesive vinyl. This can be bought by the roll in a huge range of different patterns and colours, so you can find something to suit whatever colours you are painting your army.



The vinyl is made to stick to a wide range of different surfaces, and so you can just peel off the backing and stick it directly to the base. Over time, however, the adhesive around the edges can sometimes dry out, causing the edges of the vinyl to peel up. To avoid this, apply a thin circle of superglue around the perimeter of the base top.



Cut a piece of vinyl slightly larger then the base, and then peel off the backing paper from the vinyl, and press the base into place on the sticky side.



Remove the excess vinyl by cutting carefully around the edge of the base with a sharp knife.



If the cut vinyl winds up a little rough, you can smooth it out by sanding lightly around the edge with a fine grade sandpaper.



Finally, attach your model using superglue.



The final model, ready for the table. If you prefer a less clean look, you can also glue some gravel or other rubble on top of the vinyl, or drybrush on some brown to dirty things up a bit.



That's it for this week. Tune in next week for more modeling-related shenanigans!

You can pick up the Maelstrom's Edge model range from the webstore here.

As always, feel free to share your models and terrain, or ask any Maelstrom's Edge- or hobby-related questions on the Comm Guild Facebook page!

For other Maelstrom's Edge modeling articles, including tutorials and walkthroughs of a wide range of different building and miniature projects, check out the Hobby section of the Maelstrom's Edge website here.

- by Iain Wilson

This week sees the conclusion (for now!) of my ongoing Underhive terrain project! Previously, I have painted up the watch tower, generator tower, junction tower and the all-important lift tower. That just left the trash processing unit sitting follornly on the desk in nothing but its undercoat - a situation that set out to remedy, with the below results!




This one was slightly more complicated with the base coat layer than the other buildings, as I wanted the wall panels to be green, but everything else to be grey or rusted metal. I sprayed the tower with Army Painter Army Green, and the first level platform and base with Wolf Grey, and then went back over the metal parts brown rust base, a brushed-on mix of Vallejo Charred Brown and AK Red Brown Leather.



I won't go through the whole process here, because aside from being green it's identical to how the previous structures were painted. The one difference, though, was the graffiti for the lower level. I wanted it to be fairly extensive, but realised that painting it in there by hand was going to be awfully tricky. Instead, I pulled up a couple of handy, online graffiti generators and used them to create some overlay pieces that could be printed out on paper, weathered with grey, cut out, and then glued in place over the lower walls.





Other than that, everything went together the same as for the previous structures. Once I had everything but the final weathering and detailing done, I glued it all together and applied those final touches.















The one thing left to do at this point was to assemble a table and see how it all looked together! With the addition of a couple of other appropriate buildings to fill in the excess space, and some catwalks and barricades put together for different articles some time back, it all wound up looking like this:





The only thing missing now is a couple of blood-crazed gangs running riot over it. Time for some gaming!

To build your own underhive metropolis, you can pick up the Maelstrom's Edge terrain sprues along with the rest of the Maelstrom's Edge range, from the webstore here.

As always, feel free to share your models and terrain, or ask any Maelstrom's Edge- or hobby-related questions on the Comm Guild Facebook page!

For other Maelstrom's Edge modeling articles, including tutorials and walkthroughs of a wide range of different building and miniature projects, check out the Hobby section of the Maelstrom's Edge website here.

- by Iain Wilson

Someone on the DakkaDakka forums recently asked how they could go about adding arc markings to non-Maelstrom's Edge bases, for miniatures that they're using from other ranges. This prompted me to exclaim, "How have I not made an article about that yet?!?"

So this week, while I'm finishing off my last underhive building, I thought I would put that article together - and here it is!




In Maelstrom's Edge, certain things have a different effect when a unit is approached from the front or the rear. To facilitate these rules, our bases have markers on the sides, breaking the base into a front and rear arc. If you're using different bases for your models, you can make do without them by using the model's shoulders or face as a reference, but it can be a lot easier to have that visual reference on the base.

There are a couple of different ways to go about this, but in either case the first step is to find the middle line of the base. I've found the easiest way to do that is to use a gridded cutting mat. Sit the base neatly in between the gridlines - Depending on the size of the base, it obviously won't always run from line to line. 25mm bases, for example, would just be centered with 2.5mm either side. Eyeballing this is usually accurate enough, but you can always measure it, or use a piece of 1mm gridded graph paper instead of the cutting mat if you prefer more precision.

When you have the base lined up, count in halfway on the grid, and use a pencil to make a mark on either side.



For 30mm bases, or other 'odd number' sizes, where the middle point would fall halfway between the grid lines, you might find it easier to mark on the diagonal rather than estimating halfway along the grid.



Once you have your marks, the quickest and easiest way to finish up is to draw or paint a solid line over the marks. For some extra razzle-dazzle, you can add the illusion of a cut-in by highlighting down either side.



If you would prefer to have cut-ins on the bases to match the normal Maelstrom's Edge bases, you can use a small file to etch the line into the side of the base. Try to keep the file perpendicular to the base's top surface, and stop just before you cut right through the base edge.



Do this on both sides, and you wind up with something like this:



Note that if you do accidentally file through the inner wall of the base edge, you can stick a small strip of plastic or paper over the inside of the gap to close it over again.

With some paint on, the filed divot gives you an etched arc marker that looks right at home alongside your regular Maelstrom's Edge bases!



That's it for this week. Stay tuned next week for the completion of my first batch of underhive buildings!



Pick up the Maelstrom's Edge model range from the webstore here.

As always, feel free to share your models and terrain, or ask any Maelstrom's Edge- or hobby-related questions on the Comm Guild Facebook page!

For other Maelstrom's Edge modeling articles, including tutorials and walkthroughs of a wide range of different building and miniature projects, check out the Hobby section of the Maelstrom's Edge website here.

- by Iain Wilson

The underhive continues to come to life! Previously, I have painted up the watch tower, generator tower, and junction tower. That left me with the trash processing unit and the lift tower to do, and while I'm excited to get some paint on both of these, the lift tower won out this week!




This structure was initially base coated with Army Painter Ultramarine Bluw spray. From there, the process is more or less the same as on the previous structures, and so I started by going back over the exposed metal areas with my brown rust base (a mix of Vallejo Charred Brown and AK Red Brown Leather).



Over the blue, vertical surfaces, I applied light streaking using very watered down light grey. There's a little bit of a trick to getting this the perfect consistency, as if it's not watered down quite enough it can either go on too heavy or bead up on the base layer.



I'm carrying my heavy graffiti theme across to all of the structures wherever possible, and this building was no exception. As before, I sketched in the designs with a fineliner pen, and then coloured them in with assorted paints and inks.



I haven't been getting too carried away with hazard striping so far, but thought this building warranted some on the lift doors. I printed out some appropriately sized strips and glued them into place on the bottoms of the door frames.



Time for weathering! I sponged Vallejo Basalt Grey over the wall panels, and dark brown over the blue-painted metal sections. The grey is much more subtle against the blue than on the previous structure, but it still does the job - if nothing else, it helps to fade the blue down a bit so it's not so eye-catchingly bright. I also drybrushed light grey over the floor sections, and light orange over the rusted metal parts.



From there, I pulled out the Beasty Brown to drybrush some dirt into the nooks and crannies and raised sections.



I stopped at this point to grab some pics of the graffiti, with weathering in place.



Then it was on to the final rust layer. I applied a generous layer of Army Painter Dry Rust to the rusted metal areas by dabbing it on roughly with an old brush.



From there, I just had to glue the floors in place and apply a few final details like the generator coils and the lift control panels, and the job was done.















Next week: The Trash Processing Unit!

To build your own underhive metropolis, you can pick up the Maelstrom's Edge terrain sprues along with the rest of the Maelstrom's Edge range, from the webstore here.

As always, feel free to share your models and terrain, or ask any Maelstrom's Edge- or hobby-related questions on the Comm Guild Facebook page!

For other Maelstrom's Edge modeling articles, including tutorials and walkthroughs of a wide range of different building and miniature projects, check out the Hobby section of the Maelstrom's Edge website here.