The Comm Guild Maelstrom's Edge

- by Iain Wilson

Cities are more than just a collection of buildings. There are a whole host of other little details, many of which we don't even notice because we're so used to them being there, that fill in that urban sprawl. Streetlights, hedges, park benches, statues, gardens, all go towards making a city look lived in and give it character. And yet these things are so often overlooked when we put together gaming terrain. So many urban tables are just a random collection of buildings in various levels of disrepair, which may look good, but are missing those crucial details that make them look right.

I've covered how to make some of the above mentioned details in previous articles, but this week I thought I would run through a few more, using components from the Maelstrom's Edge terrain sprue, and a few assorted odds and ends.



To start things rolling - Park Benches

The bulk of the bench is made up using the long segments from three support struts, and two of the short segments. Use a sharp hobby knife to cut through the struts on either end of the long, middle sections, and cut away the two short segments leaving the rivet strip on one side.



Two of the long strips and the two short segments make up the base of the bench. Glue these together as below using plastic cement.



For the seat, I have used a piece of embroidery mesh (which you should be able to find at a craft store or haberdashery), although you could choose to use plasticard or cardboard instead. I cut the mesh to fit over the top of the bench base, fitting inside the river strips on the tops of either end.



The mesh was glued in place using an 'all-plastics' glue, or a superglue with a plastic primer - just using plain superglue can work, but because the mesh is a rather rubbery plastic it sometimes doesn't hold the glue well without the extra help. On top of the mesh, I glued the third strut section, level with one long edge of the base.



While this comes out just about spot-on for size compared to a 28mm miniature, terrain features often look a little undersized due to the visual discrepancy created by the model's base making it look taller than it actually is. To help mitigate that, I glue a rectangle of 2mm plasticard under the bench to lift it off the ground a bit, which creates a similar illusion of extra height without actually having to make the bench over-sized.



Add a little paint, and the bench is ready to go on the table.




Next up - Let's inject a little art into the scene!

In my first scatter terrain article, I made an orb that I pictured as some sort of holgraphic map tank. I borrowed the same design to make a sculpture using an old rubber ball that I dug up out of the back yard.

The base for the bauble is simply the large pipe fitting from the terrain sprue, glued on top of the square hatch.





On top of that, you can stick a marble, as with my original orb, or any other round-ish thing that strikes your fancy -



In this case, though, as mentioned, I used a battered old rubber ball. The outside of the ball when I found it was cracked and dirty, and chipped away over much of the ball, leaving a semi-transparent, crystaline shape with a dark crust around it and a blue glow in the middle when the light hits it just right. It was too interesting a shape to not do something with it, and so I promptly glued it onto the pipe fitting base with some all-plastics glue.




Moving right along - let's add some greenery!

If you paint a lot, sooner or later you wind up with empty paint bottles. I found myself looking at my collection of empty dropper bottles and thinking that the lids were just asking to be turned into something. So I took a lid, washed it out, and cut a small pipe fitting from the terrain sprue.



The tip of the lid turned out to be exactly the same diameter as the outside of the hole in the pipe fitting (ie: just a bit bigger than I wanted it to be!) so I scored a line around the top about 1.5mm from the end, and used a hobby knife and a file to narrow down the end to that line.





I used an all-plastics glue to glue the reduced lid tip into the pipe fitting. As with the embroidery mesh used on the park bench, superglue alone isn't likely to bond as well with the lid, so the all plastic glue or a primered superglue is a better option.



I filled the inside of the lid with some 'green stuff' putty, and added a fern made from the leaves of a really dodgy-looking palm tree that came with a set of dinosaur toys bought for my daughter (It's ok, she said I could have it). A quick lick of paint, and the planter is ready for action.




Finally, what sort of city doesn't have statues scattered around to remind people to feel all embiggened?

For a quick and easy statue plinth, I took two shutter windows from the terrain sprue, trimmed off the two protruding parts of the frame on the ends and the rivets on the front surface.



The two windows were then glued together face-to-face, using plastic cement.



I added a statue assembled from some leftover parts scavenged from the Epirian Bot Handler and Broken Rabble sprues, and a base of 2mm plasticard for stability.



Some paint and weathering, and he was looking suitably statuesque, ready to inspire the city's defenders or enrage the rampaging invaders.



All of the above can be easily modified to suit your own table. You can use the individual pieces as scatter terrain, or glue them to building bases to add extra detail without having loose little terrain bits floating around. Be sure to also check out my first scatter terrain article, and also my tutorials on hedges and street lights



Want to share your terrain collection? We would love to see your creations on the Comm Guild Facebook page!

To pick up the Maelstrom's Edge terrain sprue, or any of the rest of the Maelstrom's Edge model range, visit the webstore here.

For other Maelstrom's Edge modeling articles, including tutorials and walkthroughs of a wide range of different building and miniature projects, check out the article roundup here.

- by Iain Wilson

Drones - the ubiquitous workhorse of the Epirian Foundation. Built around a standardised chassis that can be bolted onto a wide array of different locotion and weapon options, the humble drone can be found all over Foundation-settled worlds performing a wide range of tasks. Particularly valued by Contractor military units, the Drone's various weaponised configurations are found at the forefront of any engagement harrassing enemy units and getting into those hard to reach places. Here, we'll take a closer look at the options available on the plastic Drone sprue.



The Drone kit comes with parts to build either of two variants: the flying Firefly drone, or the agile, ground-hugging Spider drone.



The Firefly is the fastest drone in the Foundation's arsenal, and the lightest armed. Held in the air by two dorsally mounted rotors, the Firefly is capable of vertical takeoff and landing (VTOL) and can travel up to 150 km/hr. Its primary purpose is as a forward scout, using its advanced sensor and communications suite to send information back about enemy positions. Its armour and weaponry is minimal and the Firefly can be easily taken out by even small arms fire - providing the shooter can hit its rapidly-moving frame. The Firefly is equipped with a Drone Class Laser System.



Slower than some of its drone counterparts but fitted with heavier weaponry, the Spider Drone is a popular choice for automated defences inside buildings where a Scarecrow's range is limited. Originally designed to operate within the rough terrain of mining tunnels, the Spider moves on multiple armoured legs, allowing it to keep its balance on the most unsteady of terrain.

The steadiness of its body allows more powerful guns with higher recoil to be added, and most combat Spider variants forgo the sensor suite used in Firefly, Rover and Stalker drones to accommodate more ammunition and heavier armour. Spiders can be equipped with Cutter Light Machine Guns or Flakk Guns.





Because the sprue was developed before the rules were finalised, there wound up being a couple of extra parts on the sprue that were originally intended to be another weapon option, but which also serve nicely as antenae for identifying 'leader' models, or for converting your own different drone classes, like this Sensor Drone:



If you would like your drones to look a little more mobile, the thin legs of the Spider lend themselves well to conversions. You can easily repose them by either carefully bending at the joints, or by slicing through the joint and reattaching at a different angle.





For those wanting the Drones to pack a bit of punch on the battlefield, you could try out the reasonably simple Scorpion Drone conversion detailed here, which takes the Spider Drone and equips it with a Maglock Chaingun from the Hunter Mech kit.



Getting a little more adventurous with the converting, I like to think that the Drone chassis would find its way into all sorts of different applications where having some robotic assist might make a task easier or more efficient. Like this Light Carrier Drone, converted from a Drone chassis and a Battlefront 15mm plastic tank kit, with a little plasticard.



Or this (work-in-progress) Journeyman Patrol Bike, converted from a Games Workshop bike and an Epirian Bot Handler, with the Drone chassis up front for steer assist and targeting.



You can also use the Drone chassis as a head for larger bot constructs, like these 'Silverback' and 'Mule' Hunter Mech conversions.



All of that can, of course, leave you with a bunch of leftover flight turbines, which can be used to build a jump pack-equipped Epirian Warden, or some floating 'Sentinel' Drones, using the turbines and the top of a Scarecrow - tutorial coming soon for that one!



What have you done with your Drones? We would love to see your creations on the Comm Guild Facebook page!

To pick up the Drone kit, or any of the rest of the Maelstrom's Edge model range, visit the webstore here.

For other Maelstrom's Edge modeling articles, including tutorials and walkthroughs of a wide range of different building and miniature projects, check out the article roundup here.

- by Iain Wilson

You may have noticed by now that I make a lot of buildings. Sometimes, though, it's nice to get away from the urban sprawl, and venture out into the untamed countryside where enemy troops may wind up being less scary than the native flora and fauna.

If you were gaming back in the '90s, you might be familiar with some of the scratch-built terrain that was featured in White Dwarf magazine back then. One of my favourites, and a staple on many a scifi gaming table back then, was the foam ball and toothpick-spine cactus. It was a little goofy, but also really easy to make and looked rather effective on the table in place of all those mass-produced train set trees. So I thought it might be fun to revisit the idea, and see what I could do to modernise it a little and maybe remove some of the danger of taking out an eyeball while checking line of sight. And so I came up with this:



Staying true to the original, I found a bunch of different sized expanded polystyrene balls at a local discount store. To replace the old-school toothpick spines, I dug out an old toothbrush.



The first step is to give the foam balls a little touch-up with some fine sandpaper. This removes the mould line around the middle of the ball, and roughs up the outer surface a little to help the paint stick.



To make the ball easier to stick down to a base board, use a fine-tooth breadknife or other sharp knife to cut a slice off, making a flat surface for the bottom of the cactus.



Next we need to pike some holes in the ball to add the spines. Serendipitously, I used a toothpick, but anything pointy will do the job. Make the holes at least 5mm deep, although it doesn't hurt if they go in further. They're spaced around the ball in rough layers, without being too neat about it - slightly haphazard spacing adds to the organic look.



Toothbrush time! Take your toothbrush and, using a pair of pointy pliers, rip out a bunch of bristles. Try to hold them together - they tend to scatter if you're not careful when you let go.



Depending on how many bristles are in a clump, you might want to split the clump into halves or thirds, or use the whole thing as a single clump of spines. It's entirely up to the look you want.

In most toothbrushes, there is a small piece of metal in the fold at the base of the bristles that anchors them into the brush. Tease this out and discard it, and then separate the bristles into the size clump you want, being careful to put the extras down so that they stay together for later.



Dip the base of the bristle clump in some PVA glue, and then insert it into one of the holes in the foam ball. Mine have about half of the bristle inside the ball, to give them a good anchor and to stop them from splaying out too much.





Repeat until you have all of the holes filled with bristles.



For an older cactus, you can add extra nodules by slicing off a section on the top of the first ball and gluing the flat bottom of another ball into place on top. Reinforce with a toothpick glued in the middle, if you want a little extra strength. When that's set, poke in the holes and add bristles as above.





Mixing in some different configurations and different sized balls will help create a nice, varied look on the terrain piece.



To paint, first work around the holes with a pointy brush and a dab of brown wash or thinned brown or green paint to mask the white interior of the holes. (If you're more forward-thinking than me, you could alternatively do this before you glue the bristles in, which might be a bit easier!)



Then paint the rest. I've gone for standard green cacti, with red spines for some contrasting colour, but for alien flora you could obviously use whatever colours you please.



From there, glue your painted cacti onto a base board, and your cactus grove is ready for the table!







Do you have ideas for your own alien area terrain? We'd love to see them! Come along and share on the Comm Guild Facebook page.

For other Maelstrom's Edge modeling articles, including tutorials and walkthroughs of a wide range of different building and miniature projects, check out the article roundup here, and you can find the Maelstrom's Edge model range and boxed game in the webstore here.

2017 has drawn to a close, and it has been a fantastic year for Maelstrom's Edge. Here's our year in review:



This year saw the release of the long-awaited third faction for Maelstrom's Edge: The Broken!



The Broken Infantry Pack consists of 4 sprues loaded with bits, that allow you to build Broken fighters from any of three 4 different unit types. And this is just scraping the surface of what we have planned for the Broken - 2018 will see plenty of new releases to fill out their roster, with additional troop types and a slew of new and fantastic alien species.

Also on the release front, we launched a supplemental range of resin models, starting with the Karist Angel Hellblaster.



While plastic models are great for all sorts of reasons, they have a rather long development leadtime, which slows down releases. Adding resin models allows us to get new things out more regularly, and also lets us develop models that wouldn't necessarily be practical or economical in plastic. So the aim going forward will be to have the core range remain in plastic, supplemented with resin models which will allow us to have a new release out every month.



The Hellblaster was followed up with Karist Heavy Weapon troopers, and this month saw the addition of an official model for the Karist Angel Keeper (which previously had a playtest rules card but required some conversion to build a model). It's not all Karist love, though - Epirians and Broken will be seeing some releases very soon!

On the fiction front, 2017 saw the release of Tales From the Edge: Escalation. This is our second compilation of short stories, and features work by some great names in science fiction, including Alastair Reynolds, Aliette de Bodard and Liz Williams!



Escalation is available in print through the Maelstrom's Edge webstore, or as a eBook through Amazon.

To go along with the book release, we took a bit of a look at what went into creating the fiction for Maelstrom's Edge with a series of articles here: Crafting Tales from the Edge, Developing Stories for Maelstrom's Edge, and The Maelstrom's Edge Fiction Creative Process, by Tomas L. Martin.

For the modelers, this year continued our regular article releases, with tutorials and spotlight articles covering a huge range of different hobby topics. We showed you how to build a model to represent the Epirian faction objective:



We went to town with the terrain sprue, with tutorials on shipping containers, buildings made from plastic storage trays and drainage channel, and some ideas for scatter terrain, blast craters, hedges, streetlights and 'blanket' door coverings made from bandages. We also shared templates for making a small minehead building and a larger bunker.





We also showcased a huge array of different terrain projects, including a plantation dome and a massive landing pad piece.





The models weren't forgotten, with tutorials on sculpting your own gas masks for your Epirian contractors, painting weathered-looking metal and heat stress on weapon barrels, a run-down on a quick-painting method for Broken Rabble units, and a guide to making bionic arms for your contractors from Scarecrow arms.



We also offered conversion tutorials and homebrew rules cards for a couple of new units types: The sneaky, sniping Reaper Cadre for the Karists, and the heavy-weapon-toting Scorpion Drone for the Epirians.



Along the way, we showcased a bunch of different modeling projects, including some small Epirian and Karist forces, some variant Epirian bot ideas, and a winged Angel conversion, amongst many others.





Gaming was also covered, with another fantastic battle report from DakkaDakka's Sgt Oddball - a Karist vs Epirian 'introductory' mission entitled 'The Final Act.



We also published a series of articles alongside the Broken release, taking a close look at their rules and how they fit into the game. You can find these here: Part 1, Part 2, Part 3 and Part 4.

---

So, what's next?

We have a slew of projects currently in development, and 2018 will see us continue with a new release each month to flesh out the three existing factions. This will include a couple of new plastic kits for the Epirians, and something a little bit... let's say 'heftier' for the Broken. Design work is also well underway for the next faction, which will bring some fun toys to the table for battle suit enthusiasts!

Stay tuned to the Comm Guild blog or the Maelstrom's Edge Facebook page for updates!

You can find all of our miniatures, the terrain sprue, and our fiction on the Maelstrom's Edge webstore here. For all of our modeling articles to date, including tutorials and walkthroughs of a wide range of different building and miniature projects, check out the article roundup here. And as always, feel free to join in the discussion in the Comm Guild Facebook Group here!

- by Iain Wilson

Last week I put together the second part of my Broken settlement, with some buildings made from a cardboard gift box and an old fruit tin. The fruit tin still needed a door covering, and I wanted something that looked sufficiently rough and ready. I decided to go with an old blanket to serve as a makeshift door, which wound up looking like this:



To start with, I took a length of plastic rod and cut it to run across the doorway with a little overhang on either side. This would eventually sit in place at the top of the doorframe, poked through a couple of holes drilled into the tin on either side.



I then grabbed some crepe bandage and cut a piece a little longer than the rod, to allow it to bunch up. Bunched curtains look more interested than a flat sheet, unless you want to paint a design on, in which case a flatter surface is going to be easier to deal with.



Next I glued the bandage over the rod with some superglue, bunching it up so that the ends of the rod were sticking out, and folded over the rod far enough so that the bottom of the blanket would just touch the ground when hung in place.



Now comes the messy part - I mixed up some PVA glue with a little water. The exact amount of water is going to depend on how runny your PVA glue is, but you're aiming for around the consistency of pouring cream.



Then I dropped the bandage blanket in the glue and let it soak right in. When the glue dries, it will stiffen up the cloth, so you want it good and soaked through. If the glue is too thick, it doesn't soak in as well and you wind up with some parts of the blanket that are still soft and floppy, and others a goopy mess.



Once the bandage was nice and gluey, I hung it in place and arranged the folds to look as natural as possible, and then left it sit for two days to give it plenty of time to dry. Once dry, it will be stiff, but still slightly flexible. If it's too soft and doesn't hold its shape, you can stiffen it up a little more by painting on some additional glue, but try not to put it on too thick and fill up the weave of the fabric. If you have a brush-on superglue, you could also paint some of that onto the back of the blanket if it is accessible, but again, be sparing so you don't soak it into the weave and destroy the blanket look.



When the glue is properly dried, it's time to paint. I started out with a layer of Army Painter Strong Tone, but you could use whatever colour fits your terrain. If you use a wash or ink, make sure you give it plenty of time to dry, as the watery paint can cause the PVA glue to soften up again.



Once the wash was dry, I carefully drybrushed with some bone and white to highlight the raised parts of the blanket, and added a little more wash into the deeper creases for some extra shading.



And that's a job done!



You can also use a similar technique to hang blanket coverings over windows. On this one, the blanket is tacked onto the outside of the window frame. To attach the soaked bandage to the window, I added a drop of superglue to the top corners, let that set, and then carefully teased the wet blanket into the shape I wanted it:



The same was done here to hang a blanket inside this door frame. This is a door piece off the Maelstrom's Edge terrain sprue with the door cut out of the frame. The blanket is superglued in place at the top corners and down the sides of the door frame and then shaped and left to dry.



On my next terrain project, I'll also be using this to add some canvas roof coverings to a building that's seen better days... Stay tuned!

To build your own stellar refugee settlement, you can pick up the Maelstrom's Edge terrain sprue along with the rest of the Maelstrom's Edge miniature range from the webstore here. As always, feel free to share your creations on the Comm Guild Facebook page!

For other Maelstrom's Edge modeling articles, including tutorials and walkthroughs of a wide range of different building and miniature projects, check out the article roundup here.

- by Iain Wilson

This week, I'm continuing on with the construction of the Broken settlement that I started a few weeks back, which you can find round about here, by adding in another 'renovated' building and a converted water tank shelter.



I fast-forwarded a little on construction by grabbing a small building that I made some time ago for a video showing how to make a building from a cardboard gift box and the Maelstrom's Edge terrain sprue (which you can find on Youtube here). This was partly painted as a test run for the sponge-weathering that I used on the first building for this settlement.



Clearly, this building was still far too pretty looking to fit into a Broken settlement, so I added a bunch of patch-plating using plasticard and corrugated cardboard, and added some mesh over the windows on the sides. I also built a framework on the roof to create a makeshift shelter or sentry point.



The companion building for the gift box one is made from an old fruit tin. This received a good wash and had the label removed, and then I cut a squarish hole in the side to serve as a doorway.



I cut a bunch of reinforcing struts from the terrain sprue to fit neatly down the sides of the tin.



With the addition of some patches, a hatch on the roof and a lean-to on the side, the old tank was ready for painting.



To sit the buildings on, I cut a 12" square of masonite, with a couple of smaller pieces glued on top - a rectangle for the gift box building and a square for the tank. These were cut to size and then sanded around the edges to smooth down the burrs. I then gave the top surface a light sand to break up the shine and give it some texture for drybrushing later, and then glued the building foundation pads on with PVA glue.



Everything in place, ready for painting:



Because the gift box building was already mostly painted, I could skip straight to the detail work. To check how the main bit was done, check out the first article linked back up at the start of this one.

The various metal patches were given a coat of a rough mix of Vallejo Beasty Brown and black.





Over this went a light drybrush of P3 Pig Iron.





This was followed by a generous coat of Army Painter Strong Tone.





The pipe on the back wall was painted with a coat of Citadel Beaten Copper, and then given a light drybrush of Vallejo Sick Green.





Meanwhile, the tank was given a spray inside and out with black Rustguard, to prevent it from rusting through the paint down the track.





I then masked off the detail parts of the tank building with some masking tape.



The came a coat of Rust-oleum Oil Washed Bronze. This is a rust-preventing primer like the black, so could have actually gone straight over the bare tin without the layer of black, but I wanted to make sure it was good and dark. The black base helps this without having to spray the bronze on too heavy, as it gets a bit goopy and rough.





When the bronze was dry, I sprayed lightly over the top surface of the tank with some Army Painter Dragon Red, and then flipped the tank upside down and sprayed lightly around it so that the red caught in the undersides of the tin's corrugations without coating the whole thing in red.



I then drybrushed the whole thing lightly with Pig Iron, going a little heavier on the detail parts to make them stand out a little from the darker tank. The detail parts were then washed with some Strong Tone, and a few puddles of Strong Tone scattered around on the top surface.



While all of this was going on, I undercoated the based board with some flat black, and then gave it a coat of a flat medium grey. I deliberately use a range of different greys to basecoat my 'concrete' terrain bases, to help reduce the uniformity of the vast expanse of concrete on the table. If you look around in a city that has a lot of concrete structures, the colours vary considerably depending on the age of the concrete and the specific mix used, so it creates a better sense of realism on the gaming table if you carry this across in your painting.





To finish off the base, it was given a drybrush of Vallejo Light Grey mixed roughly with white, and then some patches of worn grime were added with a light drybrush of Beasty Brown, on both the base and the gift box building.





With the addition of a couple of final details (some lettering above the tank's doorway, the light above the door and the comm panel screen), this little building cluster is about done for now.





The tank still needs a blanket door covering, which I'll be going through in an upcoming tutorial, and I will go back over all of the buildings in the settlement to add some more characterful detailing once I have some more of the bulking out done, but it's at a point where it's not going to look out of place on the table as-is.











So what's next?

Aside from the door covering for the tank, I'll be moving on to another building section that will have some challenges in the roofing department and some sort of interesting detail in the courtyard.



Stay tuned for more!

To build your own stellar refugee settlement, you can pick up the Maelstrom's Edge terrain sprue from the webstore here. As always, feel free to share your creations on the Comm Guild Facebook page!

For other Maelstrom's Edge modeling articles, including tutorials and walkthroughs of a wide range of different building and miniature projects, check out the article roundup here.

- by Iain Wilson

With the release of the Broken adding a long-awaited third faction to the Maelstrom's Edge universe, it seemed fitting to take a break from tinkering with the shiny new models to add some appropriate terrain to the table. So this week, I broke out some gift boxes that I had waiting for an opportune moment, grabbed some terrain sprues and got to work!



The core of the first building for my new Broken settlement is a 20cm x 15cm cardboard gift box. The plan was to more or less follow the style of my earlier gift box buildings, but with the addition of some faction-appropriate wear and tear and rough repair work.



I started by cutting out holes in the box for windows and doors, using a sharp hobby knife.



To break up the box shape a little, I cut away one corner of the box, 6cm along each side. Flipped over, this corner piece fits back in place as a recessed balcony.



I cut a hole in one wall of the balcony to add a door, and cut a matching corner off the box lid, which would form the walled roof of the building.



From there, it was time to glue the box onto a square of masonite, and start detailing. To make the building look like it had been through some rough times, I modified the rectangular shutter windows from the terrain sprue. For the first one, I carefully cut out the shutter using a hobby knife, and then glued some aluminium mesh over the front of the window frame.



Rather than making all of the windows the same, I made different modifications to the other windows. On one, I glued some plastic flyscreen and a square of corrugated cardboard over the front of the frame, another had the shutter replaced with a piece of crepe bandage soaked in watered-down PVA glue, and on the last one I cut away just the lowest section of the shutter.



The terrain sprue parts were glued in place with superglue, and then I added some patches cut from thin plasticard and corrugated cardboard to the walls of the building.



The door on the balcony received a blanket in place of the original door with another piece of glue-soaked bandage, and a couple of ladders were used to create a railing. A pipe made from pieces of sprue joined with some plastic tubing and a vent made from a large pipe fitting with some aluminium mesh glued inside finished off the detailing on the back.



The building was still looking a little boxy, so I decided to break up the silhouette a bit more with the addition of a watchtower on the roof. This was constructed from a piece of gift box lid left over from a previous project, and some pieces cut from the ends of the terrain sprue. The ladder was glued in place with another couple of sprue pieces forming the hand grips at the top.





With construction complete, it was time to break out the paint. I started with a base coat of flat grey.





Over that went a thin layer of flat white. I didn't want this to be perfectly smooth and pristine, shining white, so kept the coat thin enough for the grey to show through a little. Once the spray was dry, some weathering was added with a sponge and some Vallejo Neutral Grey.



The metal patches and any other parts that I wanted bare metal were painted with a coat of Vallejo Beasty Brown, and then given a rough coat of P3 Pig Iron.



The base was painted with a coat of Vallejo Neutral Grey, and then a drybrush of Vallejo Light Grey, with some patches of Beasty Brown added to dirty things up a little. A splash of Army Painter Strong Tone over the metal bits and blankets, and a rough coat of Citadel Ultramarines Blue over a couple of the metal patches, and the building was pretty much table-ready.



There is still a little detail work to go, but some of that will wait until I get some more of the settlement completed so that I can match details across the different buildings to tie everything together.







So what's next?

I will be adding a couple of smaller gift box buildings with some varying levels of damage and delapidation, and I have some plans for a large peach tin that was rather conveniently opened the other day. The outsides of the buildings will gain some awnings and banners and the like, and I'll scatter some scrap around to add some flavour (and also some handy cover).



Stay tuned for more!

To build your own stellar refuge settlement, you can pick up the Maelstrom's Edge terrain sprue from the webstore here. As always, feel free to share your creations on the Comm Guild Facebook page!

For other Maelstrom's Edge modeling articles, including tutorials and walkthroughs of a wide range of different building and miniature projects, check out the article roundup here.

- by Iain Wilson

A while back, I shared a scifi western-themed building constructed from a Plast Craft Games plastic kit and the Maelstrom's Edge terrain sprue. This week, I wanted to have another try at that vaguely-western, raise-facade, scifi styling, but with more of a mass-produced, cheap colony building sort of vibe. Something a little more urban, but with a nod back to the frontier. This is what I came up with:



This is built from one of my favourite bases - the good old cardboard giftbox.



You can pick these up from just about anywhere that sells giftwares or from many craft shops, and they're generally fairly inexpensive. Craft shops will also often have raw cardboard versions without the printing on the outside, which does have the bonus of looking slightly less hideous while you're putting it together, but can have a rougher surface texture.

For my previous giftbox buildings, I used the lid upside down on top to form a walled-in roof area. This time, I used the lid for the facade. So the first step was to cut the lid to the height that I wanted the front of the building. I also cut away the end wall of the box, so that the hole for the front door only needed to go through the facade - The door inset is deeper than the width of the card, so would I otherwise have needed to cut a second door hole in the end of the box and hope that they lined up properly.



Speaking of a door hole: I took the garage door from the terrain sprue, sat it in place against the facade, and traced around the back of it before cutting out the resultant rectangle. The garage door was then glued in place.



The same process was used on the intact end of the box to add a small door and shutter window from the terrain sprue.



The facade was then glued in place.



I glued a couple of support struts onto either side of the building, for a little texture.



A row of lintel pieces from the terrain sprue were glued onto the top edge of the back wall.



I then layered strips of plasticard along the roof, working up towards the front of the building.



The final building, ready for painting:





Quick and easy paintjob, that will be quite familiar for anyone who has been following these articles. I started with a black spray undercoat, to give a solid layer to cover over the printing.



This was followed by a spray of flat grey, and while this was still wet I oversprayed this from above with a lighter grey to add a little bit of a natural highlight.



The metal parts were then picked out with Vallejo Beasty Brown.



Then a drybrush of P3 Pig Iron.



Then a wash of the most useful paint on the planet: Army Painter Strong Tone.



A final drybrush of silver over the metal bits and some detail work, and the newest addition to the table is ready to go.







This design can be very easily tailored to different buildings through using different sized boxes and choosing different sprue components. If you would like to build your own, you can pick up the Maelstrom's Edge terrain sprue from the webstore here. As always, feel free to share your creations on the Comm Guild Facebook page!

For other Maelstrom's Edge modeling articles, including tutorials and walkthroughs of a wide range of different building and miniature projects, check out the article roundup here.

- by Iain Wilson

As the Maelstrom creeps inexorably across the galaxy bringing Armageddon to world after world, many wars are fought in the shadow of once great cities. Where once were towering beacons of hope, the shining pinnacle of human endeavour, now lies ruin - seething hives of scum and villainy where only the strong survive.

For those inclined to less flowery prose: I thought it might be fun to explore what could be done to create multi-level terrain using the Maelstrom's Edge terrain sprue, for games set within the gloomy nether regions of gigantic cities on those worlds where everything has just gone a little bit wrong. Within these cities would be various tall structures linked by ladders and catwalks - essential if you want to get around without having to leap onto the roof of a passing taxi!



So this week, I'll be presenting a few ideas for different ways to construct catwalks to link your buildings together. Starting with the bare bones, Evil-Overlord-thinks-minions-don't-deserve-handrails version:



This is simply a strip of 5mm foamcore cut to an appropriate length, with some panel lines scored across at intervals with a razor saw (you could do the same with a hobby knife, but the saw helps to keep a consistent width and depth). The edges are covered up with reinforcing struts from the Maelstrom's Edge terrain sprue.



For the slightly more OH&S-conscious city builder, here's example 2:



This is another strip of 5mm foamcore, but this time I've used ladders from the terrain sprue glued sideways along the edges to create handrails.



This catwalk is also a little narrower than the first. Varying the width of your catwalks allows for some visual variety, and also mixes up how the catwalk will function in-game, by changing what can fit on it, and whether or not troops will be able to easily block off enemy advances along it.

For something with a little more texture, example 3:



This one starts with another strip of foamcore, but this time I have glued a sheet of aluminium mesh to the top. Support struts from the terrain sprue are cut to size and glued around the perimeter of the top to hold the mesh down and cover the cut edges, and more support struts run around the outside edge of the foamcore to pretty things up.

The handrails are made using the top halves of half a dozen energy fence poles, with the railings cut from lengths of 1.5mm x 2mm plastic rod.



For a break from foamcore, the base of the catwalk can be made from plasticard or sturdy cardboard:



This catwalk uses 1.2mm plasticard, with some embroidery mesh cut to size and glued on top to add some texture, interspersed with support struts from the terrain sprue. The handrails are made from lintel pieces from the terrain sprue topped with leftover window strips cut from doors I used a few weeks back for barriers in my scatter terrain article.



And finally, the freestanding version:



Back to the foamcore for this one, with the embroidery mesh once again providing some detail on the top. The handrails use the bottom halves of the fence posts used for the 3rd catwalk, with railings made from 1.6mm round plastic rod. The legs are door frames that were also left over from the scatter terrain article.



These are obviously just scratching the surface. You can easily mix up these designs by changing the dimensions or detailing. Replacing the foamcore with sturdy mesh gives you a more open, industrial style. You could even build some junction pieces and lay out catwalks on the table for a space corridor bug-fight!

Where to from here? One of my next projects will be to create some matching buildings to hang these off, based around modular bulkheads like this:



If you're feeling inspired and need more catwalks in your life, you can pick up the Maelstrom's Edge terrain sprue from the webstore here. As always, feel free to share your creations on the Comm Guild Facebook page!

For other Maelstrom's Edge modeling articles, including tutorials and walkthroughs of a wide range of different building and miniature projects, check out the article roundup here.

- by Iain Wilson

This week, we're sharing an easy building tutorial that would be perfect for those looking to dip a toe into the terrain scratch-building pool for the first time. The project is a small outbuilding, which I think of as an access to some sort of underground facility, although it could also double as a small utility or detention building.





You will need some 5mm or 6mm foamcore (either will work, although the roof piece will overhang the sides slightly with the thinner foamcore), some thin cardboard - around .5mm thick, PVA glue, and the Maelstrom's Edge terrain sprue. A sharp pencil, a steel ruler and a sharp craft knife will get you by for tools.

You will also need the building template, which can be downloaded from here: Minehead.pdf

From the terrain sprue, the following components are used: one of the small doors (either will do), two trapezoid windows, two corner braces and two of the long support struts.



Print out the building template, and cut out the panels using steel ruler and knife.



You can then lay the panels on top of the foamcore and card (the parts are labelled for which material they need) and draw around them with the pencil to transfer the outlines.



Once you have traced all of the parts onto the appropriate material, use the ruler and knife to cut them all out. If you have never cut foamcore before, don't try to cut through in one go. Lay the ruler along the line you want to cut, and then make several passes with the knife, working deeper as you go and being careful to keep the knife blade vertical so you don't wind up with a bevelled edge.



Check the fit on the holes for the trapezoid windows by pushing the windows into place. You can trim around the edges where necessary to make them fit nice and snug. If you have cut the window holes too large, you can pad them back out by gluing a strip of cardboard onto whichever cut edge has a gap. Once you're happy with the fit, run some glue around the edge of the window hole and then push the window into place.



Next up we need to glue the walls together. Because of the angle on the back wall, the bottom of the wall will protrude past the bottom of the building, so will need a little trimming. If you hold the back wall against the side as below, so that the top edge of the back wall sits level with the top of the side wall (left-hand image) you can see the triangular part that needs trimming off (right-hand image) - trim this off with the knife, or sand it down, so that the bottom of the back wall sits flat on the table.



From there, glue the side walls to the rear side of the front wall. The run a little glue down either side of the back wall section. Spread the side walls out slightly, hold the back wall in place, and squeeze the side walls back in against it. Give the glue 30 seconds or so to start to grab, and then sit the building down on the table. You can look down from above here and nudge the walls around as necessary to square everything up. A cutting mat with a printed grid is a big help for this step, as you can line the walls up with the grid.



The cardboard side panels can then be glued one onto the front of each of the side walls, so that they cover over the exposed polystyrene edges of the front wall. The roof panel goes (surprisingly...) on top - run a little glue around the top edges of each wall, and sit the roof on top.



Take the two support struts and slice off the grill piece as below, leaving the recessed rivet strip attached to the grill.



The grills are glued onto the back edge of the roof, one at each corner with the rivet strip to the edge. The remaining sections of the support struts are then glued running up the sides of the back wall, covering over the exposed polystyrene edges of the side walls. Check for fit first - if they protrude past the bottom of the building when lined up with the roof at the top, bevel off the bottom of the strut with your knife before gluing in place.



Finally, take the two corner pieces and glue them to the front corners of the roof. What you wind up with should look something like this:



All that remains is painting, once the glue has set. Paint the building up in whatever colours suit your table or preferences. I like to weather my buildings, but it's not necessary - a simple spray with grey, white or a muted (not pastel, but not too bright) primary colour with the details picked out where appropriate works quite well with these as well.

Here's my prototype version painted up, with some added salt weathering and some paper signs created in Gimp and printed out on paper for gluing on wherever they seem appropriate.



The graffiti on the back wall was made in an online graffiti creator (google it, you'll turn up a few different ones with different functions and fonts), printed and glued in place. You can see the edges of the paper if you look closely, but from game-playing distance it does the job. The numbers on the green strips and door were done the same way.



(Note that the windows in the painted example above are in a slightly different position to the template. This was a design change between the prototype and the template creation, as I think it looks better with the slight gap between the window and the raised side panel.)

And there you have it - one mine access/detention cell/utility closet/bike garage/whatever else you can think of to use it for.

If you want to try it for yourself, you can grab the template from here and the Maelstrom's Edge terrain sprue from the webstore here. I'd love to see what others can come up with to do with the design, so as always please feel free to share your creations on the Comm Guild Facebook page!

For other Maelstrom's Edge modeling articles, including tutorials and walkthroughs of a wide range of different building and miniature projects, check out the article roundup here.